Sarıl Bana

by Baylebridge

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about

A fragment from Atay's notebook:

Personally speaking I think that one might listen the actual recordings if he or she wants to remember. But the impression of our experiences in a memory in the brain is something totally temporal, and insubstantial. I might give you the recordings and expect you to treasure, understand them as much as I do but it will be a failure, because they are mine. So rather than attempting to a destined misery and failure here they are presented in a way where the impression, the way I hear them is musicalized, earthed to a sonic landscape so you hear, and feel how I remember things from my life or feel the memories.

It was a very hard choice for me to release this since it's very personal and may not be a pleasurable listen to many. The production of Baylebridge could still be there, this audio files could have existed anyway but I would use them only as a source of remembering the way I remember things now while the actual recordings would be a direct link for memories. I mean I also I won't be remembering the same things the way I now in a few years. Every memory gets more valuable, idyllic and dream like in time as it changes while some of them fadeaway completely. Even every second is delightful only a few specific seconds remain. So I think this is nothing but a pathetic attempt of mine to make memories eternal marks in time.

Bespoke of the package; It is a simple sleeve which has 50 copies in 6 variations of colour and drawing. The card within is numbered in every package and has a personal dedication to the recipient. Drawings are made by Atay during the travels to his sketchbook.

Dedicated to my other half Gözde Omay.

All fade to past now, form time as little dusts are its ingredient, one and only.

credits

released July 11, 2014

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Digital archive of Wounded Wolf Press.

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